Now that HBO’s hit series Game of Thrones has won an Emmy, isn’t it time to celebrate? You can celebrate or binge watch the show with the 2016 Game of Thrones Pinot Noir ($20). The wine is made from grapes grown in the Willamette Valley and is full of ripe red berry fruit flavors.
The Rabble Wine Company is the latest producer to introduce augmented reality technology to wine labels. And, it’s pretty impressive.
With the use of an app, a historical woodblock print rendition from the Nuremberg Chronicle (late 1400s to early 1500s) comes to life. These labels depict nature’s wrath, so you can imagine the movement. Among the prints is a fire-breathing dragon, a tempest touching down in Rome, and Mount Vesuvius erupting over Pompeii.
The first release is a red blend of grapes from the Paso Robles region. The wine is pretty tasty but not as exciting as the label — an apocalyptic comet falling on Florence. Nonetheless, it will give you a conversation started for your next party.
More than a decade ago I wrote about Geyser Peak’s comeback under the guidance of Australian winemaker Nick Goldschmidt. I had met with him during a wine country tour and he was more than happy to accept the title. I remember him acknowledging the work that went into restoring this historic property founded in 1880.
Alas, Goldschmidt left in 2008 after Geyser Peak was sold by Beam to Constellation. The winery has had multiple owners since then, including Ascentia and now Accolade. Ownership changes mean changes in philosophy and in this case the role Geyser Peak should play in the marketplace.
Over time I watched the wines return to their plonk status: cheap, pedestrian and uninspiring. They were made for grocery stores sales and I’m sure they made money if they didn’t make fans.
But I was recently encouraged after tasting the 2013 Geyser Peak Devil’s Inkstand reserve cabernet sauvignon ($55). It reminded me what Geyser Peak was — and perhaps what it can be. It’s a very nice wine.
Using grapes from mountain top vineyards in Alexander Valley, this cabernet was aged 21 months in French oak barrels. The aging provides complexity and depth to this tannic yet approachable wine.
Although the technical notes lists only cabernet sauvignon as the wine’s composition, clearly it has some petite sirah to give the wine its dark color.
Randy Meyer has been the property’s winemaker since 2018.
I've been opening a lot of chardonnay lately. You may think I'm a glutton for punishment, but I'm not afraid to admit I like chardonnay. I especially like some of the relatively inexpensive burgundies from the Macon and other regions. Alas, I can't afford Montrachet but there is still plenty of good, austere French chardonnay.
What's so good about French chardonnay? They aren't cloaked in oak nor are they sweet, which is what I still find in mass-produced California chardonnays. But, I did find two balanced chardonnays that emphasized fruit and balance over oak and sugar.
The 2015 Fort Ross Mother of Pearl Chardonnay ($60) is unfined and unfiltered, which preserves the purity of the grapes. The oak influence is in the background and adds to the complexity of this luxurious chardonnay but upfront are the generous citrus and honeysuckle aromas followed by layered pear and white peach flavors.
The other version that impressed me was the 2016 Dutton Estate Kyndall's Reserve-Dutton Ranch chardonnay ($42) from the Russian River Valley. Good acidity balances the plush mouthfeel of the barrel-fermented, malolactic fermented fruit.
Wine consumption in the United States has been on the upswing for 20 years, thanks largely to encouragement from health reports that show some benefits from moderate wine consumption. However, like all trends, sales may have reached their peak.
The Silicon Valley Bank Wine Division in its "State of the Wine Industry 2018" report projects growth to decline as much as 10 percent this year. That's down from last year's 10-14 percent growth.
Sales increases were unsustainable. There is only so much alcohol we can drink. The volume of wine we consume -- 2.3 gallons annually per person -- has doubled since 1993. California wineries have increased production in response to the trend
Even though Americans have more dispensable income now and the nation's economic health is good, consumers aren't increasing their consumption. My bet, though, is that they are drinking better wine. Anyone want to study that?
Bonterra has been recognized as a pioneer in organic farming, so much so that it has added "Organic" to to its name. One reason, it seems to me, is that it wants to distinguish its well-known organic wines from a relatively new series of prestigious cuvees. "Bonterra" is noticeably absent from the label.
Meant to emphasize the biodiversity in the vineyards, these wines have purity of fruit, richness, body and drinkability.
I loved 2013 The Butler ($50), a blend of 80 percent syrah, 8 percent mourvedre, 6 percent grenache and 6 percent zinfandel. Generous aromas and flavors with rich mouthfeel and length.
The other wines in this series includes the 2014 The McNab ($50), a blend of cabernet sauvignon, merlot and old vine petit sirah, and the 2015 The Roost, a Burgundian-style chardonnay.
I remember meeting Angelo Gaja in Washington, D.C., more than 20 years ago. At the time he was just starting to gain notoriety for blending grape varieties and introducing Piedmont to controversial winemaking techniques. He declassified his wines and risked it all.
He was widely criticized by fellow winemakers, but eventually won out. He reduced the use of oak and added malolactic fermentation. His wines today sell for a lot of money -- his famous barbarescos can cost more than $300.
Although 78 years old today, he insists he hasn't retired even though his two daughters are operating the family business.
I was delighted to recently find Gaja Sito Moresco Langhe ($50), a red blend that includes nebbolio, merlot and cabernet sauvignon. Unlike his barolos and barbarescos, this blend is ore approachable -- a niche the family must have wanted to accommodate fans who don't want to wait decades for their Gaja wines to mature.
Sito Moresco is named after a family who farmed this 25-acre estate in Barbaresco before it was purchased by Gaja Winery.
This is a delicious wine that continues the family's tradition of blending Bordeaux grape varieties with indigenous grapes.
David Phinney, the wine genius that gave us The Prisoner, has launched a wine project in Roussillon. Called Department 66 -- the region is in France's department 66 -- the wines are very good.
The Fragile rose is OK, but I thought "D66" -- a blend of grenache, carignan, syrah -- is outstanding. It is loaded with fine tannins to suggest aging ability and garrigue character. Department 66's "Others" wine adds mourvedre to the blend and is equally delicious and ageworthy.
Phinney seems prone to impulse. He was in Italy when first struck with the wine bug. He was standing at an airport when he created his "Legacy" series after being inspired by a bumper decal. He fell in love with the natural beauty of the Roussillon region that he launched Department 66 and made Maury a second home.
I'm not complaining. D66 sells for $38 a bottle; Others goes for $25. Fair prices for what you get.
Those damn French are at it again. A blue wine is selling like quiche in southern France. Sacre bleu!
"Vindigo," a chardonnay made in Spain, is selling out at hotels in the French town of Sete. It is marketed by Rene Le Bail just in time for the vacation season along the Cote d'Azur. He likens the wine to the blue waters of the French Riviera and insists he will limit distribution to small on-premise locations.
The first 2,000-bottle order was sold in days. He's ordered 35,000 more bottles.
The turquoise color comes from a naturally occurring pigment, called anthocanin that's derived from filtering the white wine through grape skins. Frankly, it must look more like Windex.
I was reading a recipe the other day that called for a Far Niente chardonnay and I imagined chefs scurrying around town in a fruitless search for the wine. How silly. There is more than one chardonnay that would do well with a recipe.
And that got me to thinking of rules. Guidelines in the wine world are appreciated, but rules are not because they are so absolute. Take, for example, white wine with fish and red wine with meat. Good guideline, but I can come up with many exceptions. Tuna and salmon do better with red wines.
And then there is the rule that cheap wines on restaurant wine lists are terrible. I had a Boutari wine from Greece the other night for $34 and it was great, despite being the cheapest white wine on the list. With markups as high as 400 percent, you can't afford to order the most expensive wine.
What about the rule of serving white wine in narrow, tapered glasses? I've recently discovered that a full-body chardonnay tastes better when poured in a wide mouth glass generally reserved for red wines. A complex chardonnay needs to breathe before you pick up its subtleties.
I can go on and on about rules.. But I won't.
I'm a sucker for deals on old wines. They are often discounted because a store is eager to unload them. However, they come with risk. If they were in excellent condition, they wouldn't be discounted, right?
While touring Domaine Tempier in Bandol, I noticed a half-dozen wines from La Laidiere, a neighboring property Domaine Tempier had recently acquired. Red blends (mourvedre, grenache and cinsault) dating back to the 1991 vintage were selling for under 30 euros apiece. I'm sure Tempier got them with the deal and was eager to sell them because they were someone else's wine.
Veronique Peyraud, one of the sisters running Domaine Tempier, recommended to me the 1993 because it had the highest concentration of mourvedre -- 80 percent. For about $30, how could I resist?
It was a fabulous wine -- the fruit was a little tired, but the structure was holding up. It showed the longevity of wines made mostly from mourvedre.
Veronique was right to point me to a mourvedre-dominated wine. I enjoyed Domaine Tempier's 2014 red blend -- about 60 percent mourvedre -- the following night. It was a beautiful, tannic monster with dense, complex dark berry fruit. Clearly, it could age 20 years.
Mourvedre, called monastrell in neighboring Spain, is a foundation grape to blends made in southern France. Although it often has off-putting aromas, mourvedre provides the hammer to a blend. Grenache and cinsault soften the wine and their floral elements offset the rotten egg notes that often accompany mourvedre.
Tempier's mourvedre now has me in search of similar wines from the Bandol area.
While on a cruise of the Med, my wife and I had the pleasure of stopping by Domaine Tempier while our ship was moored off Bandol, France. Bandol is arguably the epi-center of the world’s best rose. It is here where rose is often the primary wine made for vacationing Europeans who love to sit in their sidewalk cafes in August.
I have long admired Tempier’s roses – not cheap but more complex and drier than cheap copycats from the U.S. and Spain that are mere after-thoughts in large portfolios. Tempier didn’t disappoint me during my brief visit with Veronique Peyraud, one of several children involved in the operation owned by their parents since 1936. The property was in the family before then, but winemaking was interrupted by phylloxera in the 1940s. Still, some gnarled vines managed to survive and are more than 100 years old.
As good as the roses are, I was more surprised by the Domaine Tempier white blend of clairette, ugni blanc, bourboulenc and marsanne. You get the feeling this exquisite, dry wine will age gracefully for decades.
The estate’s flagship may be its Cuvee Classique, a red blend of mourvedre (75 percent), grenache, cinsault and carignan. It is incredibly dense and complex with dark fruit flavors and a rustic style with gritty tannins.
Domaine Tempier’s success is due largely to its southern facing vineyards, its soil and maritime winds, but also its particular winemaking standards. It does not fine or filter its wines. It is made from organically grown grapes and natural yeasts are used for fermentation. Its red wines are aged in large oak casks.
I never miss an opportunity to taste a local wine. Here in Italy, where my wife and I are on a long cruise, there are local wines galore. Historically, wines were consumed locally as well as being grown locally. That they complemented local food dishes is not a coincidence. Albarino on Spain's north coast match the local seafood while Burgundy's elegant pinot noirs marry well with Dijon's rabbit stews or rich cassoulets. Generations have enjoyed Alsace's pinot blancs and rieslings with the region's famous daubes. Go there and you'll see why.
While I was in Italy's Porto Venere, just outside Cinque Terra, I found a wine and purchased one of the region's famous blends of vermentino, bosco and arbolla. Acidic, fresh and pure it was delightful. This region doesn't even try to make red wines -- unlike Alsace that uselessly struggles with its pedestrian pinot noir.
I'm on a cruise of the Med, so unable to post too often. However, last night I was able to share a brief moment with the ship's wine steward who chooses the wines. The task is quite different than what beverage managers experience on land.
A port manager holds most of the cards, it seems. He or she tells each ship's wine manager what's available. I suspect much of it is surplus wine. The other day our wine steward was pleased to get a couple of hundred bottles of a Provence rose while docked in Marseilles. It was OK, but that's about it. I have found that wine aboard ships -- the plonk that is served poolside as well as at dinner -- is acceptable at best. This is Seabourn, too, an upscale ship. They were pouring Nicolas Feuillatte, however, so that's pretty decent champagne.
The port authority apparently acts like a distributor to incoming ships. Our wine steward says he can order directly from the producer too. I was told they go through more than 1,300 bottles a week, which doesn't seem that great for a ship of 600 passengers.
I decided to order a wine package which for $450 gets me access to 6 wines from a pretty damn good list. The list includes a Fevre chablis, Chapoutier white chatauneuf du pape and a Condrieu, Hauts Bailley bordeaux, Silver Oak, Banfi brunello di montalcino, Masi amarone, North Star merlot, and a few more gems that average about $70 a bottle. For a restaurant, those are good averages for premium wines.
A recent report from the Silicon Valley Bank -- strangely the best guide to wine sales -- shows that consumers are spending more on their wine.
The bank reported that "premium" wine sales are increasing while those for cheaper wine under $10 is decreasing. These cheaper wines are often composed of bulk wines, box wines, etc. Wines that cost more aren't necessarily "premium" in my book, but nonetheless wines in the $15-20 and $20-plus have shown sales increases.
More interesting to me in the study was the change in restaurant wines. Consumers are spending less in restaurants, partly because of a shift to more casual restaurants where wine plays a smaller role. Also, chain restaurants sell mass-produced wines because they can depend on supply. An increasing number of smaller wineries are ignoring the three-tier system and selling their wines directly to consumers.
More so, consumers at all ages are frowning at restaurant mark-ups. It's about time to rebel. Younger drinkers, theorizes Silicon Valley Bank's study, know they can pay less for wine in a store and are having only a glass of wine or beer in restaurants. Seniors on fixed income are opting for a glass of wine while dining out and millennials are favoring at-home meals.
I'm a senior citizen now, but until recently my wife and I have enjoyed sharing a bottle of wine while dining out. We recently switched to a glass of wine, which we know has a higher mark-up than a bottle. The bottled wines we like are often the most expensive and I know the mark-up from experience. A restaurant bill with wine can regularly top $200 and occasionally $300. I can't sustained a dining bill this high twice a week.
We like to dine at home, which is the trend nowadays. I have a good cellar of aged wines to tap into. But even those seniors who don't have a cellar, it's still significantly cheaper to buy steak and wine and serve them at home. Restaurants are hurting themselves with these high mark-ups.
And this brings me back to my annoyances: restaurants should be less focused on mass producers of common wines marked up 300-400 percent. Instead, they should find the small producers who will appeal to the curious consumer and whose prices are more moderate. They are out there -- I taste these wines every week.
Sure, these producers may not be able to replenish inventory but why not have a list of daily specials? When they run out, list something else. I've seen this done in restaurants with great success. Those restaurant owners who aren't lazy and who are willing to spend some time on their wine lists will reap the rewards.
I don't know what's more addictive: wine or Game of Thrones. But, now you can have both.
Vintage Wine Estates has more wine choices of Games of Throne wine, created in cooperation with the award-winning HBO drama. Wine is featured in many scenes.
The wines includes chardonnay, cabernet sauvignon, red blend and the new pinot noir. The corks are imprinted with either the House Tyrell or House Martell sigil.
These wines are available at www.gamesofthroneswines.com
More and more people are getting their wines directly from producers and that's a trend that should concern wholesalers and retailers who are losing their cuts.
According to Gomberg, Fredrikson Associates, a wine industry data collection firm, direct-to-consumer sales accounted for 10 percent of the wine retail market in 2017. Volume increased 158 percent over the previous year. The trend is obvious.
Most of the DtC business is from wineries with limited production and who have a hard time getting attention from distributors who don't want to mess with them. According to Forbes, 80 percent of total domestic wineries produce no more than 5,000 annual cases each.
I was recently talking to Ryan Harris, president of Domaine Serene in the Williamette Valley, about this issue. He said 80 percent of Domaine Serene's revenue is from direct-to-consumer sales and that represents about 50 percent of their volume. Those numbers stunned me because I don't consider Domaine Serene to be small.
It is the same conclusion I've heard from other producers who focus on expensive, high-end wines. Wholesalers focus on large producers -- Constellation, Treasury Wine Estates, Gallo and Kendall-Jackson, for instance -- who can keep the pipeline filled. Expensive wines with small productions can't get the attention of wholesalers focused primarily on quantity and numbers.
Harris' two numbers show the attraction of stronger marketing in DtC sales: you can make more money if you eliminate the middlemen.
Domaine Serene has a strong wine club. West Coast producers have amped up their wine clubs and hospitality centers that attract tourists to their facilities. That, coupled with more liberal laws regarding the shipment of alcoholic beverages, and you have a movement. However, it's not necessary positive for consumers.
DtC sales mean consumers have greater access to hard-to-find wines sold exclusively at wineries. However, they don't come cheap. I recently ordered some Lorenza rose from the winery, thinking it was hard to find in my local market. Later, I discovered Total Wine was selling it for $3 less a bottle and there was no shipping charges.
David Phinney, the genius behind The Prisoner, continues with his new Locations' series of wines.
A couple of years ago, Phinney had the idea that he could do so much more with his wine if there weren't any boundaries to the vineyards. In other words, why not blend a Rhone grenache with a Languedoc grenache and call it "F" for France? Thus was born Locations, a portfolio of wines that now include Spain, Italy, Texas, Washington, New York and more. The labels for each of them mimic a bumper sticker: a single letter in an oval circle.
The recent releases I tasted are enjoyable, although without characteristics that would help locate them. In other words, their generic flavors didn't tell me they were French or Californian. However, Phinney seems to take care in selecting complementing grape varieties. "E5" (Spain) is a common blend of garnacha, tempranillo, monastrell and carinena. "NZ" (New Zealand) is entirely sauvignon blanc (what else is there to blend in New Zealand?). "W" is a combination of syrah, merlot and petit sirah grapes. "E5" was my favorite.
The best news is that these tasty wines are sold for $20.
I can't imagine owning vineyards on the slopes of Mount Etna, Sicily's still active volcano. First, I'd be looking over my shoulder a lot. Second, the volcanic rock from molten lava would seem inpenetrable.
But it hasn't been inpenetrable for centuries. In fact, some of the vines in the Etna region are more than 100 years old. Growers simply break up the rock and let the vines reach through the heavy nutrients in the fertile soil in their search for water.
Etna, a DOC since 1968, is a trendy growing region today as Italian winemakers have been buying up property in the last several decades. Expect to hear more about wines from the Etna region.
One producer new to the region is Giovanni Valenti, a well-established businessman who launched a second career in wine. Valenti grew up in Catania, Sicily and always dreamed of making wine with his father on his home island. They bought a nearly abandoned vineyard in 2009 and a dilapidated distillery to make the wine. Since then they have bought several more vineyards to amass a collection of nearly 100 acres.
I met with Valenti recently to taste his wines. The grape varieties are hardly well known: the top red variety is nerello mascalese and the top white grape is carricante. Catine Valenti wines are named after writers, operas and other products of Italian fine art history.
The red 2013 Poesia ($50) was medium body and is compared to something between a nebbiolo and a pinot noir from Burgundy. It was light colored and had the texture of a slightly aged Marsanay, Valenti said they aged very well.
I wasn't as impressed with the red wines as I was with the 2017 Enrico IV ($28) made from carricante grapes. It had intense aromas and a rich texture that reminded me of a premier cru burgundy. I bought several bottles.
What I love about the wines from the Etna region is that they are unique. And, when you're tasting chardonnay or sauvignon blanc most of your life, unique is good.
Ken and Grace Evenstad have always loved the chardonnay and pinot noir from Burgundy. In the late 1980s they launched one of the most successful pinot noir houses in the Willamette Valley and sought to pursue their dream of making exceptional wine in the United States. Indeed, Domaine Serene has been winning awards ever since.
But the Evenstads couldn't let go of their Burgundian dreams. In 2015, they purchased a 15th century chateau -- Chateau de la Crée -- in Santenay. I would think that breakthrough would cause a stir in the chateau's tiny village of Santenay. After all, it wasn't that long ago that Robert Mondavi was rudely rebuffed by the French in an attempt to plant a vineyard in Languedoc.
But, the Evenstads were no Mondavis.
"The deal was completed in a few months," said Ryan Harris, president of Domaine Serene.
An American wine producer buying an historic chateau of this order is more unusual than a French producer buying wine property in the United States. Moet-Chandon was among the first to do launch a sparkling wine company in California in 1973. Champagne makers Taittinger and Roederer soon followed. Then came Clos du Val, Dominus, Opus One (a partnership of Mondavi and Baroness Philippine de Rothschild). In Oregon, Burgundian Robert Drouhin of Maison Joseph Drouhin raised eyebrows -- and prestige -- when he launched Domaine Drouhin in Oregon's Willamette Valley. But the Evanstads were the first Oregonians to own a chateau in Burgundy.
Grace Evenstad, who was recently hosting a wine dinner in Naples, Fl., said the differences between making wine in Oregon and France were clear one day when she showed a Burgundian winemaker their Willamette Valley vineyards.
"She said to me, 'Which rows are yours?'" Evenstad said.
In Burgundy, it is common for a vineyard to have multiple owners.
Harris said that throwing a lot of parties, meeting neighbors, and developing good relations with local officials paved the way for the purchase. But, the transition to making good wine was not so smooth.
Evenstad said, "Everyone is now gone."
Whether they left on their own or were replaced wasn't clear, but she said that they were surprised by the lack of "science" at Chateau de la Crée. She said vineyards lack adequate spacing between rows and even if the vineyards were bio-dynamically farmed -- whatever that means in France -- the pesticides and other chemicals from neighboring vineyards were wafting onto those of Chateau de la Crée.
She was quick to distance Domaine Serene from the pinot noirs being poured at the tasting. "They aren't ours," she warned, lest someone came away with an unfavorable impression of their new venture.
Despite the caveat, I enjoyed the Chateau de la Crée Clos de la Confrerie Monopole Santenay.
The tasting bravely paired a Domaine Serene pinot noir with a Chateau de la Crée pinot noir and there was an obvious New World vs. Old World difference. The Santenay wines had an earthy, barnyard profile classic to Burgundy and its terroir. However, the Domaine Serene Evanstad Reserve was undeniably a superior pinot noir.
It will be interesting to watch what the Evenstads do with the wines from this historic chateau and how they manage the French. Will they Americanize them with bolder fruit, higher alcohols and more fruit extraction?
I don't think it is going to be as smooth as they think. They are asking the French to adapt to their practices and no matter how much better they are, it doesn't always go down well with the sensitive French.
Bon chance, Ken and Grace.